Backstory: The Studio
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Rose Bialer, instructor at Backstory: The Studio

The Readers' Studio · Guided Reading Group

Feminist Horror in Latin American Literature

With Rose Bialer

Total price

€120.00

6 sessions

Schedule

Every Friday

Oct 9 – Nov 13

Time

19:00–20:30

Class size

Min 6 · Max 14

In this reading group, we will explore the engrossing world of feminist Latin American literature. We will read translated short stories and novellas by some of the most exciting contemporary Latin American writers working with horror, such as Mariana Enríquez, Samanta Schweblin and Mónica Ojeda. In our reading and discussions, we will examine how these writers use different types of horror to articulate gender violence and state impunity. The reading group will also place the stories in conversation with more recent feminist movements such as Ni Una Menos and La Marea Verde, as well as the longer histories of political violence in Latin America.


The reading group is open to both newcomers and longtime readers of these writers. Through close reading and discussion, we will think together about why this particular boom in Latin American fiction is striking a nerve. 


Oct. 9: Horror and Domestic Confinement

There are many Latin American women writing terrifying fiction. But is it a new phenomenon? During the first meeting, we will have a brief overview of the long and rich tradition of horror writing in Latin American literature, looking at the Gothic influence from Europe, as well as horror rooted in Indigenous mythology. We will then begin by reading and discussing writers from the mid-twentieth century who used horror to express the everyday terrors of being a woman and a wife. 


Oct. 16: The Monstrous-Feminine and Body Horror

How do women become monsters in the horror genre? For this session, we will read stories about women who have been deformed, burned or re-imagined as non-human creatures. We will discuss the ways these representations of women are subversive and allow them to take control of the violence typically used against them.


Oct. 23: Reproductive Horror and Motherhood

Pregnancy and motherhood are fertile ground for horror stories, as controlling women’s bodies has always been a means of social control. This session will present a brief overview of the representation of motherhood in Latin American literature. We will read and discuss horror stories that use these topics to address political injustices around bodily autonomy.


Oct. 30: Gender Violence and Femicide

For many Latin American women writers, the horror in their work stems from the very real and immediate fear of gender violence and femicide. Recent literature has been one way of exposing violence that has too often been normalized, silenced, and ignored. During this session, we will read and reflect upon a novella that offers a political critique of this epidemic of violence.


Nov. 6: Horror and Indigenous Mythology

This session will explore how contemporary writers draw on Indigenous mythology and folklore to reimagine horror. We will especially look at writers working in the “Andean Gothic,” a genre of horror that explores the tension between Indigenous cosmologies and of the modern world.


Nov. 13: Feminist Ecohorror

For our final reading group, we will connect our previous readings to the topic of ecohorror. We will talk about the ways in which gender violence, capitalism, and environmental destruction are all connected and how they are represented in recent horror literature from Latin America.

About Rose Bialer

Rose Bialer is a literary translator and writer originally from San Francisco California. She has a bachelor's degree in Sociology and Spanish from Kenyon College and a master's degree in Comparative Literature from Trinity College Dublin. Rose has held positions at 826 Valencia, The Kenyon Review, and The Spanish Ministry of Education as an English teaching assistant. She was a 2023 - 2024 Fellow at Artists at Risk Connection, a project of PEN America and serves as a Translation Grant Assessor at English PEN. 


As a translator and writer, she is interested in themes of motherhood, reproductive justice, migration, and buried family history. Her writing has been published in The Kenyon Review, Full Stop, Asymptote, Word Literature Today, and Latin American Literature Today. 

Readers